Category: German Cinema
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Metropolis: A Searing Critique of Inequality Through Contrast
Written by Lea Safaryan for Justine McLellan’s Cinema Styles course Metropolis (Lang, 1927) is a Weimar-era sci-fi film that explores themes of class disparity and industrialization. Through the use of contrast within the mise-en-scène, elements such as the aristocratic costuming, the theatrical acting, and the hyper-industrialized megacity come together to compound on those central themes.…
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An Exploration of National Identity: New German Cinema
By Alexandrina Sandu, written for Cheryl Simon’s Film Theory course Andrew Higson, professor of Film and Television at the University of York, explains that it is primordial “[…] to pay attention to historical shifts in the construction of nationhood and national identity: nationhood is always an image constructed under particular conditions” (Higson 44). Considering that…
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